Despite this, the Apogee Symphony Desktop boasts a slightly larger dynamic range (129dB) and mic preamp gain (75dB). Everything I read about it (and after having talked with Apogee tech supp) suggests that having a Mac Pro is vital. Not compatible with Windows, which could frustrate Boot Camp users, or indeed PC users. Unlike those found in the Ensemble Thunderbolt and other lowlier Apogee interfaces, the Symphony I/O’s preamps apparently use fully differential … Also, depending how serious you are, you're probably going to want an outboard mic pre anyways. I think this will become evident after the new year and these systems are more prevalent. Dual G5 2 ghz. Now you have me nervous :-). Built-in monitoring capabilities that are surround capable. Although there are cheaper alternatives, the Ensemble certainly isn't overpriced, and I think Apogee have found a comfortable price point for the features and level of quality being provided. A 'line out' mode is also available, which effectively disables the main output volume functionality and makes the eight analogue outputs behave as independent line outputs. An update to what I finally ended up with.... Maybe someone can help me out related to this Ensemble vs Symphony deal. In threads that I read, Max from Apogee said that they also tested on a dual 2.0ghz G5 (which is what i have) and that the latency figures were similar -- a little higher, I think i remember something in the 2.8 range as opposed to 1.6. Symphony I/O Mk II Thunderbolt. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's settings within the application. All four inputs have both XLR and high-Z (high impedance) TRS connectors, although the high-Z inputs for the first two channels are usefully located on the front of the Ensemble, which makes room for the additional send and return insert TRS connectors Apogee have provided for the first two channels on the back. I am aware that the conversion quality is supposed to have better numbers in the Symphony. One routing improvement that's been made since our last review is that it's now possible to route one hardware input to multiple software inputs, and, similarly but perhaps more usefully, it's also now possible to route one software output to multiple hardware outputs. Apogee Symphony Desktop 10x14 USB-C Audio Interface 10-in/14-out USB-C Audio Interface with 24-bit/192kHz Symphony AD/DA, 2 Microphone Preamps, Variable Impedance, Built-in DSP, Preamp Emulation, Channel Strip Plug-in, DualPath Monitoring, Digital I/O, Touchscreen, and Apple Logic Pro X Integration - Mac/Win/iOS Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. 10:06. It's about a thousand bucks more for a rosetta200/symphony combo plus a pre, over the ensemble. For stereo, the output encoder controls the levels of the first two analogue outputs, whereas in 5.1 or 7.1 mode the encoder sets the level of either outputs 1-6 or 1-8 respectively. The only real problem I encountered when testing the Ensemble was when I decided to see if the record offset latency was handled correctly. The mixing and routing aspects of Maestro were covered in the Symphony review, so it's worth referring to that article if you're unfamiliar with this functionality. ... Apogee DUET 2 Vs Apogee Rosetta 800 + API 3124 with Beyer M160 Ribbon Mic - Duration: ... Apogee Ensemble … If that's anywhere near true about the G5, then Apogee must not have been testing that G5 with a taxed system in the way of plug-ins and VIs, because no way was I able to get buffers at 128 or lower on my Symphony/Rosetta/Quad G5 system. Having more than one Duet or Quartet connected to a Mac may not be as common as having multiple Symphony I/Os or Ensembles connected, but the ‘Device ID’ buttons are there for each product, just in case. And one of the headphone jacks went, even though I don't use them and plug into a dedicated headphone amp system (they worked during installation). I do covet the Ensemble's preamps and integration with Logic, but I don't want to become an unwitting participant in what appears to be an extended beta test. From what I understand Symphony does this. Still, totally inaudible. Two white LEDs to the right of the meters indicate whether the metering represents either the audio input or output of the interface, and it's also possible for the meters to be disabled if they should become distracting. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Web site designed & maintained by PB Associates & SOS. Thus you will find exactly the same roundtrip latency time on Elements as Ensemble Thunderbolt, regardless of Thunderbolt 1 vs 2. The remaining four inputs (channels 5-8) support line-level signals via TRS connectors, and an additional eight TRS connectors provide eight analogue outputs. The Ensemble's drivers have also been regularly updated, with the current release from last December (on which this review is based) being fully compatible with both Leopard (Mac OS 10.5) and Tiger (10.4). Question: Q: Apogee Ensemble -vs- Apogee Rosetta (200 or 800) I am in the market to purchase one of these interfaces. There is no internal fan, so Ensemble is dead quiet, with only a tiny "click" when switching inputs. Matthew -- well I'm looking forward to your report. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. Good luck!! Apollo x8 vs Apogee Symphony?? Session Notes: Recording Voiceovers At Sea, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs, Re: The All-New Behringer Keyboards 'n' Stuff Thread, Re: Centred mono signal appears to the left, The All-New Behringer Keyboards 'n' Stuff Thread, Low Watt Guitar Amp for Recording at Home. Although this behaviour keeps consistency with the input encoder, I found the press-and-hold action for mute annoying, because I would use mute all the time, whereas selection of headphone outputs was something I rarely (if ever) needed to do. Up to 32 buses can be created per Symphony card, and these allow the transport of audio between Core Audio applications, or even within applications. Apogee's Director of Technical Services, Roger Robindoré, replied that "Apogee and Apple are aware of the issue, and have been working together to resolve it.". Beginnen wir ausnahmsweise mal mit den Features für Gitarristen. It's hard to believe that it's been over two years since Apogee first announced their new line of products aimed at desktop musicians and audio engineers. Symphony 32 is only supported up to Mac OS X 10.6.7 (not 10.6.8). For example, headphone port one could be set to the output of analogue outs 1 and 2, while port two is set to 3 and 4. I have a feeling that the low latency performance specs with Symphony and a Mac Pro are mostly due to the Mac Pro, and that a Symphony is needed IF you are recording many multiple tracks at once (as in an orchestra session). While the difference was admittedly subtle compared to my trusty Fireface 800, the Ensemble seemed to have a little more depth, with fractionally more space at the top. This changed at the 2006 NAMM show, when Apogee announced Symphony, a PCI-based system for handling a large amount of I/O with low latency via the company's AD16X, DA16X and Rosetta-series converters, and Ensemble, Apogee's entry into the Firewire audio interface market. Get the Symphony/Rosetta 800 and be done with it. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. A second point on which the Fireface and Orpheus score is that both offer a MIDI input and output port as well. I track at 48k and export to 96. Symphony Control: Clicking on Insert Labels resets unit and blanks or crashes; Logic 10.5.1: Channel strip not fully functional can’t select Inst, -10 and High shelf is grayed out; Clock source is not properly indicated in Symphony Control; Ensemble and Element Series Hey all, About to pull the trigger on either the Apollo x8 or the Apogee Symphony Mk2 and wondering if anyone has heard side by side comparisons or has any info on the differences between the convertor quality of the two interfaces seeing as the new Apollo line up have improved convertors. The competition in the Firewire audio interface market is fierce these days, no matter what your budget, and the most obvious competition for the Ensemble is perhaps RME's Fireface 800, Metric Halo's Mobile I/O and Prism's Orpheus. Apogee ensemble vs. symphony Hi guys and gals, I have been trying to wrap my head around all of this and I am getting ready to update my studio on Friday that's 12-15-06 and I am really not sure of what I … Apogee says that the design of the power regulators borrows custom elements from the flagship Symphony system [Tape Op #87, #99] (more details on that are available on their site). However, if you exclusively use Macs, this obviously won't be an issue. So I contacted Guitar Center concerning acquiring the Ensemble or the Duet. Technically, the Ensemble can work at sample rates of up to 192kHz (and even offers hardware sample-rate conversion), but only the analogue and coaxial I/O are supported once you work with rates above 96kHz. Apogee’s Ensemble (Resolution V6.3). The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire. I thought sound quality they would be the same. On connecting one of the Ensemble's analogue outputs to one of the analogue inputs and recording a test signal (a click), I noticed that the input signal would be placed as if it was recorded before it was technically played. Apogee-Produkte wie Duet, Quartet, das erste Ensemble und Symphony I/O sind bei professionellen Toningenieuren weltweit die erste Wahl und kommen daher bei zahlreichen GRAMMY® und OSCAR® prämierten Aufnahmen zum Einsatz: In den letzten zwei Jahrzehnten galten sie als Industrie-Standard für die professionelle Audioaufnahme. There's also a corresponding set of red LEDs to show whether phantom power is enabled on each of the four mic pres, although the power itself needs to be turned on or off remotely from the host computer. The second port is handy if you want to daisy chain other Firewire devices. I hope you're wrong. Symphony 32 PCI is not supported with Symphony Release 4.2 or Mac OS Lion (10.7). One thing to bear in mind, though, is that while Symphony and the Ensemble both make use of the Maestro software, certain Symphony features, such as the V-Bus routing, are not available on the Ensemble. You may login with either your assigned username or your e-mail address. High-end digital converter manufacturers Apogee are Apple's audio partner of choice, and their latest Firewire interface is aimed squarely at Mac users with a taste for quality. How low can you set your buffers with a good dose of plug-in, VIs, etc.? When I was weighing the options, the Ensemble won over Symphony only because Apogee mentioned no plans for an Express card version of Symphony for laptops. PASSENDE NEWS. I would like to hear from anyone that owns either of these interfaces and have used it not only to record but to also mix out of. On March 12, the LA Philharmonic performed the first of four movements composed by Felix Brenner using Apogee Electronics’ Ensemble FireWire interface. 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