They have been recorded for example by King's College Choir, conducted by Stephen Cleobury and the Corydon Singers conducted by Matthew Best. Durufle's Requiem on the other side to me sounds even darker. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant. Thanks Stephen! Thank you for this site and advertising some neglected treasures. Whenever the choir is singing, the sound is distant and diffuse, and the counterpoint is barely audible; … Weitere Informationen. I also hold the Michael Haydn and Tomasek settings in very high regard as well. 6:21. Save my name, email, and website in this browser for the next time I comment. Press Esc to cancel. There are many worthy Requiems which I have been forced to leave off this list. Dedicated to Pope Pius IX, the work clocks in around seventy-five minutes and is dramatic and profound, with only a touch of the operatic in one or two places. With their respective Requiems, Gabriel Fauré and Maurice Duruflé wanted to express something different, something which Fauré himself described as a ‘trust in eternal rest’. It makes not Germany but France seem-in choral music as in Gluckian drama-the nursemaid of Classicism” and “Berlioz and Gounod garnered not a few of their best ideas from composers of the Gossek era; but few delivered this kind of unyielding consistency, melodic-harmonic vividness and untrammelled dramatic power.” PS. Thanks for the list, and it has certainly opened my eyes to efforts which I was not aware of. Enter Dennis Keene and his Voices of the Ascension. I have Tomasek coming in the mail. Another Requiem — amazing and unioque in style and structure, but never performed in its entirety nor recorded — is the “Requiem 9/11/2001.” Not only does it incorporate Christian Latin text, but also incudes percussion/lyrics from the Quran, as well as Tehilim from the Hebrew. Are you familiar with Howard Goodall’s Eternal Light Requiem? It is “Requiem” by Mark Hayes, and can be heard in its entirety on “Spotify.” Absolutely gorgeous and inspiring, its in six parts and was composed around 2013, its for full orchestra and massed chorus. Dies Irae is certainly not the only interesting part. I’ll never consent to Verdi’s Requiem being classed as “overrated” and as including “only one memorable moment”. Orff - Carmina Burana: Christmas Carols. “I know how to respect what is respectable,” the composer once said of religious belief. All the others are footnotes. Famously left incomplete by the dying composer, its supreme status is enhanced by the mysterious circumstances of the composer’s death, and by the puzzle of who exactly finished the piece as we know it today. Yet when you listen to this choral masterwork—the most poignant and exquisitely beautiful Requiem extant—it sounds strikingly simple and inviting. After all, human life itself is the supreme drama, and what imagined scene could be more powerful than that of the individual soul pleading the case for salvation before the Almighty? I’m working my way through the rest of the list. The best-sounding recording in this category—indeed, in the entire survey—is Harmonia Mundi’s CD/SACD/download featuring Bill Ives and the Choir of Magdalen College, Oxford. Sad not to see any of the Renaissance polyphonic Requiems here: Victoria, as mentioned by another commenter, but especially Ockeghem. Thanks for sharing. While on his tour of Paris in 1778, Mozart met Gossec, liked him, and—as in the case of Michael Haydn’s Requiem, though to a lesser degree—was probably influenced by Gossec’s setting when he wrote his own Mass for the Dead thirteen years later. My personal favorite requiem is the one composed by Tomas Luis de Victoria. The list below ranks the greatest Requiems of all time, in order of greatness. Just listened to Kozlovsky’s Requiem for the first time. I agree with you, Alison. Requiem, Op. 48 Complete (Best Recording) - YouTube Staple Bound Currently unavailable. Though Mozart thought little of him, the German-born Georg Joseph Vogler (1749-1814) had a successful career as a composer, performer, and teacher (Carl Maria von Weber and Giacomo Meyerbeer were among his pupils), and was something of an innovator in terms of music theory and practice, devising a new organ-like instrument and an alternative method of fingering for the harpsichord. Though the judgment of time has deemed it not to reach that exalted level, it is nevertheless a great work. By Gabriel Fauré Atlanta Symphony Chorus, Atlanta Symphony Orchestra, James … The one movement first completed in 2002, “Agnus Dei,” was performed as a stand-alone in Bremerton, Washington, that summer, and is housed in the New York City Hall Archive. You heard the Polish Requiem? I am starting this thread in order to post my, and anyone else's, reviews of recordings of the Durufle Requiem. Maurice Duruflé: Requiem Opus 9 - pour choeurs à quatre voix (SATB) Choral Score: Mixed Choir (D&F 13,366) by Maurice Duruflé | Jan 1, 1948. The best-sounding recording in this category—indeed, in the entire survey—is Harmonia Mundi’s CD/SACD/download featuring Bill Ives and the Choir of Magdalen College, Oxford. But Stephen Cleobury and his Choir of King’s … TT: 74:23 . I was just asked what I thought was the best Requiem Mass and I automatically said Mozart in D Minor. King’s College’s recording of the Fauré Requiem was the best-selling core classical album of 2014. Joseph Martin Kraus: Requiem in D Minor (1775), Joseph Martin Kraus was sometimes called the “Swedish Mozart” because he too composed in the “Classical style” and because his life was nearly exactly contemporaneous with that of “the miracle that God allowed to be born in Salzburg.” His Requiem, written when he was nineteen years old, was one of his earliest compositions and shows the effect of the Sturm und Drang (“storm and stress”) movement on the young composer in its many dramatic moments; the memorable Dies Irae stands out in this regard. I am left to believe, or think, that one’s apprehension of beauty and meaning is so very individual…. Keep in mind that essays represent the opinions of the authors and do not necessarily reflect the views of The Imaginative Conservative or its editor or publisher. begona olavide-salterio-m-a recordings m025-av (180 gram pressing)* corsica chants polyphoniques-e voce di u cumune-harmonia mundi hmc 1256** elizabethan ballads and theatre music-musicians of swanne alley-virgin classics vc 7 90789-1 the last of the troubadours-best … When I was two, my parents gave me one of those all-in-one changers, which I played to death. In recordings, the motets are often combined with Duruflé's Requiem, sharing the same approach of polyphonic music based on Gregorian chant. Personally, I prefer the version that includes both the organ and the orchestra and has a soloist singing "Pie Jesu" and the other soloists' parts. (Gifts may be made online or by check mailed to the Institute at 9600 Long Point Rd., Suite 300, Houston, TX, 77055. Luigi Cherubini: Requiem in C Minor (1817). the most dramatic and startling dies irae has to be by karl jenkins who previously played in a rock band. Purchase Faure/Durufle: Requiem, You must to: . Durufle's Requiem on the other side to me sounds even darker. While (as a conservative) I respect your right to an opinion, I most passionately disagree with your assessment of Brahms’ German Requiem and Faure’s Requiem – they are in my view two of the greatest works of art, and I hold them very dear. I cannot agree with your list, but would not ever want to engage in any disagreement. 9 (1947) [40:40] Quatre Motets sur des thèmes grégoriens, Op. Christmas Carol Songbook. Prime entdecken DE Hallo! Swedish Radio Choir, Malmberg. Musically, Shaw’s rendition is quietly moving, even if his tempos are a bit sleepy at times. Yet the sparser arrangement diminishes none of the piece’s beauty, and allows the organ to take the spotlight. The soloists, including the cellist, are more than adequate, and only the final notes in the lowest register of Ms Stotijn's voice in Pie Jesu lack the desired warmth. CD CD (Compact Disc) Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar … Cherubini’s Requiem was much admired by later composers; Robert Schumann deemed it “without equal in the world,” and Ludwig van Beethoven requested that it be played at his own funeral, declaring, “If I were to write a Requiem, Cherubini’s would be my only model.” (Beethoven never did write a Requiem.) Der Artikel Maurice Durufle (1902-1986): Requiem op.9 wurde in den Warenkorb gelegt. King’s College Choir, Cambridge, Cleobury. That’s exactly what Duruflé was after, which is why he based the piece on Gregorian chant. Although the most dramatic crescendos are, by definition, restrained compared to the Keene version, Cleobury is unerring in maintaining the music’s dramatic impact. both should either tie first spot, or at least Haydn’s own should come second. What the Czech composer Antonin Dvořák, a devout Roman Catholic, said in regard to his Mass in D could just as easily be applied to his famous Requiem: “Do not wonder that I am so religious. Requiem - Durufle: Amazon.de: Musik. Verdi never lets any part stay long enough to get boring, his pacing is perfect to me, and the whole mass is really interesting and emotionally compelling. His Polish Requiem is one of my favorite pieces of all time, and perhaps his best work. So the recordings of the Requiem feature these different versions of the same work. Camille Saint-Saëns is generally considered a second-rate composer, and he is known today primarily for pieces like his “Organ” Symphony and his “Carnival of the Animals.” His status as an unbeliever makes him an unlikely candidate for composing a Mass for the Dead. Requiem, Op. Brahms, Fauré and Duruflé seem to have thought that death and judgment are all about quiet resignation and consolation, without any place for desperate pleading and the terror of possible, eternal damnation. Artikel merken . The best recordings of Fauré’s Requiem Brahms’s A German Requiem (1868) is a famous non-Catholic Requiem – this is where things get complicated. Voices are remarkably clear, including during the climaxes. I'll start with Durufle's own recording. The Absolute Sound team is proud to highlight Martin Logan and Paradigm, known for loudspeaker innovation. Saying that Britten’s Requiem lacks music of the highest quality is a statement which is certainly debatable. Many of the ones I’ve discovered on my own have made your list. Today’s talents will be tomorrow’s legends. My interest go mostly to the historical and technical aspect of the masterpieces. Berlioz’s Dies Irae rivals Mozart’s in its fire and awesomeness, while the meltingly beautiful Sanctus, featuring a solo tenor [beginning at 1:08:30 in the recording below] stands as one of the most beautiful things ever penned by the human hand. My choir performed this in the spring (the 500th performance!) A glance at the sheet music for Duruflé’s Requiem suggests a complex, contorted, and inaccessible work. Super Awesome. A candidate perhaps for most unlikely to write a Requiem, the Austrian composer Franz von Suppé wrote some fifty operettas and stage works, but it is generally only the overtures to some of these that are played in the concert hall today. I feel like composers who primarily worked on operas get a bad reputation, and I’m not sure why. But I would be remiss if I didn’t express my appreciation for the quote from Saint-Saëns–it strikes me as a profoundly sane position, one that I share, but had never been able to express so cogently. The term “Requiem” comes from the first Latin word of the Mass, which begins Requiem aeternam dona eis, Domine (“Grant them eternal rest, O Lord”). Alle 4 Formate und Ausgaben anzeigen Andere Formate und Ausgaben ausblenden. For this recording Ticciati is joined by Magdalena, who has performed Debussy’s Ariettes oubliées and Duparc songs on previous DSO recordings, and the Grammy award-winning Rundfunkchor Berlin. It ends, atypically, with funeral march, followed by a setting of the Salve Regina. I should remind readers that, as with all my “top ten” classical lists, the following does not constitute a democratic assessment of the consensus greatest works of all time, but represents rather my informed opinion on the matter, which I hope is more interesting. Will you help us remain a refreshing oasis in the increasingly contentious arena of modern discourse? Copyright © 2021 The Absolute Sound. Voices of Ascension Chorus and Orchestra, Keene. It would seem one would have to heartless not to feel the inspiration found in this recording. Wait a minute, you left out Verdi’s Requiem. Lacrymosa is extremely beautiful, and in general I enjoy the whole thing straight through. And though one will think of that greater Requiem when listening to this one, this Mass for the Dead, which takes about thirty-five minutes to perform, stands on its own as a work of genius, one imbued with an unrelieved sense of drama and urgency. It’s written as if Palestrina composed in our times. 48 Complete (Best Recording)".. Chcete stiahnúť len zvuk z videa vo formáte mp3? Introit (0:00)2. Thank you my friend! The Lacrimosa is very nice, almost danceable. I appreciate several of your more obscure selections and will use them as a springboard for further exploration. 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