Both lights are Bi-color LEDs with a range of 2300k-6800k. Obviously, the most important piece of equipment to have is the camera. And when you buy it new, it even includes a key to Davinci Resolve Studio ($299 value) so you can color grade and edit all of your footage. But first, let's talk a little bit about documentary video production, and why the tools you choose are so important to the job. No sweat - GPS is a common feature on an action camera like a GoPro, so you'll be able to track the video in more ways than one. Slider - Of course, the staple of all cinematic filmmaking is the slider dolly. It features built-in five-axis stabilization and continuous auto focus, and it comes in at about $1,998. Finally, you lay these B-roll clips over the A-roll, ideally into sequences that help the viewer understand the who, what, where, when and why. Now it goes everywhere with us. At the first level is the casual video shooter. On the wide end, we’ve used the popular Tokina 11-16mm f/2.8 pretty regularly on our shoots, until the Canon 10-18mm IS came out. Most Video Production Equipment are eligible for free shipping. We also carry around a few other small lights that hardly take up any room, but can come in handy more often than not. This is a great lens if you shoot handheld a lot, but we miss the reach. We stand by the Cinevate Universal Accessory Mount as one of the most durable pieces of kit out there. ​If you shoot with a smaller camera like the Canon XC10/XC15, or a DSLR or mirrorless camera, the Pilotfly H2 is a very easy to use gimbal with a long battery life. Unfortunately, it's recently been discontinued. To find out more, why not ask for a tour? The choices you face when building out your equipment kit can be overwhelming, so we put together this list to help you sort everything out and get started building a kit of your own. It’s user friendly, it produces an excellent RAW image at rates up to 75 fps, it offers dual-native ISO, it has thirteen stops of dynamic range, and it includes customizable media storage options. And after you’ve finessed the edit with some background music, along with a title and credit sequence… congratulations: you’ve made a documentary. Using connect2 can make a massive difference to your department's productivity, while supporting your students' learning journey. We go into a long discussion about the first client/videographer interaction in our infographic/article on Video Production Services.​. Where does it fit in? Fill Lights, Rim or Edge Lights, and Lighting a Background Once you have your key light setup, you’ll need another light to either fill the other side of your subject’s face if necessary, or to separate their head from the background with a rim or edge light. And why do we recommend specific filmmaking equipment for the various types of documentary video productions? If you want to go with a traditional video tripod with a bowl mount, we really love the Miller Air Carbon Tripod system (see our article on the Miller Air Tripod). The most portable and most versatile light for these purposes is the Aputure Amaran 672W. It’s great for manipulating sunlight, or in a studio setting where you can set it up out of frame opposite your light source to act as a fill. The average viewer does not notice the effect. Imagine a continuum of equipment from left to right. So as soon as your subject stands in place, you have only a few minutes to get everything dialed in before they start to wonder if you even know what you’re doing. Just handheld run and gun and get the shots, fellas. Once you have your key light setup, you’ll need another light to either fill the other side of your subject’s face if necessary, or to separate their head from the background with a rim or edge light. This is a true cine prime lens that I like to use when in tight quarters. It’s why we recommend the C300 Mark II over in our promo video guide. Your privacy is respected Or do we buy the equipment that our clients ask for? These have become increasingly popular lately, and this specific model is a great addition to your kit. At $800, this camera is a great option that is kinder to your wallet than the other cameras on this list. For shooting a documentary interview outdoors, you would be better off with one or two Aputure Amaran 672S spot lights. In essence, we lose the “suspension of disbelief” and we remember that we’re watching a video that someone made, rather than sitting back and letting a story naturally unfold before our eyes. RED DSMC2 CINEMA CAMERA SERIES. As you know when you’re shopping for video production equipment, for documentary filmmaking or any kind of production, the accessories are the secret behind all of this stuff working together. If cine-lenses are your preference, you can get each lens in the Meike series for about $399 apiece. Audio Visual & Video Production Equipment Rentals Admin May 22, 2019 November 9, 2020. But we still stand by the C100 as the very best camera for filming a documentary. The full-frame sensor might be the deciding factor for some, but I find the menu system and settings to be quite clunky. The Canon 24-105mm feels the best in your hands, so if you like to focus manually, this is your everyday lens. It’s multifaceted, so it can act as a bounce, a flag, and a diffuser. But the style and quality of footage you’re aiming to capture - that can mean the difference between shooting with an iPhone, making a documentary with a DSLR, upgrading to a more expensive cinema camera, or shooting with a large crew on cameras that cost more than your house. It's a huge time savor! Need a way to keep your project organized? It goes back to the portability/quality continuum from earlier in this article. Get more than you need - trust us, you'll use these on everything. You’re imagining the story, visuals, and emotional response of the audience, long before you pick up a camera. Canon C200 on a Letus Helix Jr. Canon C300 mkII on a Letus Helix Standard. To be honest, it's not an easy answer. It’s sharp, features a wide range of depth, captures beautiful bokeh, and at f/1.8, it is fast enough for low-light scenarios. VIDEO CAMERA OPTIONS FOR ANY BUDGET. For some shooting scenarios, where you may be moving around quite a lot and want to capture everything quickly without changing lenses, the Canon XC10 or Canon XC15 is a great alternative to the C100. Most simply, you’re video recording someone telling a true story, and then through the process of filmmaking and editing, you’re creating a shorter, more interesting version of that story. I find this lens to be durable, and it’s rather small, so it won’t take up too much space in your kit. The newer Canon XC15, however, comes standard with an XLR preamp that goes on the cold shoe. Struggling to keep your video shoot on schedule? You can get a very cheap and super light tripod that might be a pain to use, or you could get the biggest and best tripod that is solid but a hassle to carry around, or you could get something in the middle. It’s great for action scenes, it creates a fantastic time-lapse, and it takes up minimal space. There’s some oil in there, maybe just glue, but for whatever reason it works like magic. We actually keep the 17-55mm in our corporate video kit bag, because it’s sharpness and quality (and f/2.8) is perfect for more planned shots where you don’t need to quickly zoom to 100mm or above to capture a moment, like you do in documentary. (For more tips on improving a documentary shoot, here's an article we put together for ProductionHub.). Comparatively, to achieve a similar zoom range on the C100, you would need to carry a normal lens and a telephoto lens, in addition to a telephoto extender.​, If you want to dive deeper into this camera, we posted a long review about the Canon XC10 and XC15, and we also wrote a short review in this post for Newsshooter.​. I use this camera myself, and I highly recommend it for your first video production kit. 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